רמקולים רצפתיים
רמקולים רצפתיים מגוון רחב של רמקולים רצפתיים מהמותגים המובילים ביותר בעולם
ESSENCE OF A BRAND
Since 1983, many moments have marked the history of Sonus faber; the launch of the Olympica Collection 6 years ago is one of them. One of the first lines presented as a complete family of products, but above all, the very first one to feature original drivers, entirely designed in Sonus faber. Olympica Nova is the second generation of the iconic family of 2013, improved in its form and substance, imbued with the timeless values that inspired us in creating the original line. The result is a new Collection that embraces the most advanced technologies that already enhance our most prestigious creations.
EXPERIENCE, A CLASSIC AND RETRO APPROACH
The new Homage Tradition collection inherits the precious teachings of the masters of Italian violin-making and the experience gained in 20 years of design and development of the Homage line, with a classic and slightly retro approach.
ELEGANCE AND PRECISION
Aida, that takes its name from the most grandiose Opera by Giuseppe Verdi, is the pinnacle of the Sonus faber catalogue born from the heart of the team and combines tradition with technological innovation, sophistication with power.
FUSION
By mainly working around the behavior of both the top and bottom ends of the audio spectrum it was possible to extract a performance, avoiding any sort of interpretation, of the musical message so that Il Cremonese ex3me could even be used as an extremely high-performance professional studio monitor.
The new loudspeaker system came to life by the fusion of elements belonging to the original project, such as midrange and woofers, with the most iconic solution derived from the company's 30th Anniversary celebration concept speaker model, Ex3ma.
THE STRADIVARI'S VIOLIN:
Inspired by the shape of Lilium, Il Cremonese is a tribute to the most famous creation of Antonio Stradivari. Its five non-parallel walls structure and the sides applied on the enclosure, requires a careful processing techniques, as for a musical instrument: from the wood bending and shaping, to the treatments of the precious Avional surfaces.
The idea of the dual curvature of the cabinet sides, firstly conceptualized with the Sonus faber and evolved in Aida, is here enhanced thanks to a new design that reinvents the ``lyra`` outline merging two separate identities that cooperate inside the same shape.
